The fading to his back view comes later when Max is close to the plane. He moves towards the plane.Īdditional take from above how Max goes towards the plane. Max moves around the camera, this is the reason why one can see his back earlier.
Here the take comes abit earlier without showing the plane, one can see him coming out of his car and closing the door. In this take the camera moves above Max's car. One can hear the sound of flapping wings and the scream of birds whereas Max looks around to the street. One can hear a scream whereas Max looks around and notices the Goon's bloody hand which comes out of the wreck. He wandered out into the wasteland, and here he would learn - amid the dark wreckage, but the fire which burns in the heart of man will endure. In the roar of an engine he lost everything - his woman - his child - his world. Men like Max ruled the highway in the name of the law. ".good, brave men were battered and smashed. And is was here - in this blighted place - that he learned to live again." A man who wandered out into the wasteland. A man, haunted by the demons of his past. In the roar of an engine he lost everything.and became the shell of a man. ".ordinary men were battered and smashed.
Mad max 2 cover tv#
The unrated version shows the original title 'Mad Max 2' while the TV version shows 'The Road Warrior'.ĭespite the fact that the narrator is different than the one from the unrated version, some words were changed here. Unrated version: 1:31:07 min (1:28:47 min w/o credits)Runtime of the 1984 TV version: 1:35:41 min (1:33:15 min w/o credits)Ħ3 Alternative scenes/pictures = no time difference
The rest of the runtime differences result from different run speed PAL-NTSC, sometimes there are slightly enlarged runtimes in the unrated version to shortened alternative takes in the TV version. The runtime is based on the unrated version. However, the details should also be available in the fullscreen version.ī) Of course, all extended takes are listed.
Mad max 2 cover movie#
Most of these changes will not appear here.Ī lot of fade effects and the turning of the camera of the TV version differ here because the movie was basically shot in the format scope. It can be mentioned that the camera angles only differ in few degrees without showing the actual detail of the unrated which is now hidden beyond the edge of the screen. This means:Ī) Any considerable alternative takes or alternate pictures are shown with which the unrated version has been changed - no matter if it was because of censorship or different (not defined) reasons. This cut report will only deal with material which can be found (or heard) in any other version. The DVD is basically not officially licsensed (a bootleg) which is only offered on ebay from time to time or can be found at various privat mailorders across the world wide web. Because of the alternative scenes this version becomes very interessting. Definately this version is pretty good and beside the cut scenes there is no sound cut. Instead of simply cutting anything alternative material was used so that the version was pretty viewable. This way of censoring was not unusual for the American TV and it generally shows a good solution for TV channels. These scenes were re-inserted to the movie to enlarge him to its original runtime. This version is censored in nearly every scene containing violence but offers different camera angles and complete alternative scenes which are unique in this way. The first channel which aired this version was NBC, later the Australian Network 10 as well. In the middle of the 80s Mad Max 2 got edited in a special version for the TV. That will speed up the process on bringing Mad Max: Fury Road 2 to fruition one day - that day the movie actively enters production, which is unfortunately still a long way out.Comparison between the unrated version (British tape) and the missing American TV version from 1984.
:max_bytes(150000):strip_icc()/GettyImages-1426627534-1dd0fc6a4a1b49afbb93c300dc775b08.jpg "mad max 2 cover")
He and his co-writer, Nick Lathouris, spent a lot of their downtime on the waylaid production pitching ideas and expanding the lore surrounding the narrative. Miller has reportedly finished at least one major draft of the two related films branching from Fury Road due to those exact reshoots and delays. ( Fury Road didn't actually finish under budget when you look at the numbers, but Miller alleges that it's solely Warner Bros.' fault for demanding excessive test screenings and reshoots Miller otherwise wouldn't have asked for or done himself.) In 2017, Miller's production company filed a multi-complaint lawsuit against Warner Bros., the distributor of Mad Max: Fury Road. The heart of the suit alleges that Miller was shorted a bonus he feels owed for technically bringing the film in under budget. On top of Miller's general filmmaking process timeline, there's an additional complicating factor: litigation.
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